Indie Film Backers Here for independent film
Services

The work that decides whether anyone sees the film.

None of this is glamorous. All of it is the difference between a film that exists and a film that gets found, funded, finished and watched.

Pricing
Flat fee, quoted before we start. No hourly meters, no percentage of anything.
Payment
Half up front, half on delivery for anything over a few hundred dollars.
If you can't pay
Say so in the form. We help filmmakers find the financing to cover this, that's part of the service, not a separate thing.

Available now

What you can hire us for today.

Six things, and we can do any one of them on its own. You don't have to buy a package.

01

Your own funding page

A single page that carries the story, the trailer, an email capture and a way to give that pays you directly. No platform in the middle, no all-or-nothing threshold, and it doesn't become a dead link the day the campaign ends.

Pairs with a crowdfunding campaign or replaces it.

02

Campaign management

Kickstarter and Indiegogo, plus everything the campaign leaves undone: the page build, the launch calendar, the backer updates, the fulfilment setup, and the follow-through that most campaigns drop once the money lands.

03

Web & email presence

A site for the film or for you as a filmmaker, an email list you actually own, a welcome sequence, and a newsletter that keeps running. The list is the asset, the platform was never yours.

04

Audience & social

Account setup and a consistent identity, a content calendar, vertical short-form cuts from footage you already have, and the discipline to stay in front of the people who might fund or watch the next one.

05

Listing & metadata

IMDb title and credits, a TMDB entry with a correctly cropped poster, Wikidata cross-IDs so the records agree with each other. Small and boring, and it decides whether anyone can find the film at all.

06

Deliverables & release materials

Captions and SDH, subtitles, key art to each platform's spec, a press folder, the festival submission calendar and the shortlist of festivals actually worth the fee.

Small jobs

Sometimes it's one annoying thing.

You don't always need a project. You need the poster cropped to spec, or the credits claimed, or the caption file converted. Tell us the one thing and we'll quote it.

The tiny stuff
  • IMDb title and credit submission, done
  • TMDB entry and poster upload
  • Poster cropped and resized to each platform's spec
  • Caption file conversion (SRT / VTT / TTML)
  • Copyright registration filing
  • Music cue sheet for the editor and the lawyer
  • Domain, business email and signature setup
The prep work
  • Pitch deck or lookbook
  • Logline, synopses and a credits block
  • Budget and schedule built in your own tool
  • Investor one-pager
  • Release-day checklist, run start to finish
  • Backer-update schedule, so nobody goes silent
In development

What we're building toward.

We'd rather tell you these are coming than sell you something that doesn't exist yet. This is the direction, not the menu.

·

Production services

Crew, equipment, locations, and the below-the-line departments that micro-budget films cut first and notice later. Starting with matching films to organisations that already have the capacity sitting idle.

·

Distribution & sales support

Getting a finished film onto streaming, VOD and the aggregators, and understanding what each route actually takes.

·

Producing & co-financing

Making our own films and part-financing other people's. This is a later phase, it needs a legal structure we don't have yet, and we won't do it before that's settled.

·

Paid support

A way for people who want to back what we make to do that, and be recognised in the credits. Joining the list comes first.

The deal, in five lines

No hidden incentives.

  • You pay a flat price for work. That price is agreed before we start.
  • What you pay depends on the work, not on how much money you raise.
  • We never charge you to be introduced to anyone.
  • We help you raise the money to pay for the work, because a service you can't afford isn't a service.
  • You own everything: your film, your rights, your list, your fundraising.