We love independent film.
We help you get there.
A film you love on a screen right now was paid for by people like you, not by a studio. We built this around that fact: doing the jobs filmmakers can't afford to hire out, and finding the money to pay for them.
- We are
- A company. We sell services, at a flat price. Nobody should have to guess that.
- We get
- Paid a flat price for work we deliver.
- Free
- Joining, listing, and introductions. Permanently.
We're a business. We're not pretending otherwise.
There's a lot of quiet money in independent film, people charging for "access," for introductions, for the chance to pitch. We think that's the most damaging thing in this industry, and we're not doing it.
So here's the whole model. We sell production and marketing services at a flat price. That's what we do, and it's how we earn. No hidden share of anything, no charge for simply talking to us.
One more thing, and it's the useful part: we're built to help filmmakers find the financing to cover the work they hire us for. We don't just sell you a service and wish you luck paying for it.
- You hire us for a job. Flat fee, defined deliverable, quoted up front.
- We help you find the money for it. Introductions to people who fund films, and the means to raise it yourself.
- You keep everything. Your film, your rights, your fundraising. We're not in the middle of it.
- Access to money. Ever. If we could sell that, we'd be lying, nobody can.
- Guaranteed festival selection, distribution, or returns.
- Anything where what you pay us depends on how much money you raise. That's a broken incentive.
The work filmmakers end up doing at 2am.
Every one of these is a job that a bigger film pays an agency or a department for. You either do it yourself, badly, at the end of a long day, or you don't do it, and it costs you the audience.
We don't publish prices (every film is different), but we quote flat and we quote before we start. Full service list.
Available now
In development
The direction we're building toward. Not for sale yet, we'd rather tell you it's coming than sell you something that isn't there.
Four steps, and one of them is just a form.
We'd rather be slow and honest than fast and vague. Every introduction we make is made by a person who has read what you wrote.
Pick your side
Filmmaker or backer. Two minutes, a few questions, an email address. That's the whole signup, and it stays free.
A person reads it
Not a matching algorithm. Someone reads what you wrote and works out who you should be talking to.
We introduce you
When there's a real fit, we make the introduction and stay in the conversation. Any deal happens directly between you, off our books, and we take nothing from it.
And nothing goes quiet
If a filmmaker we introduced to you stops responding, tell us. That's our problem to fix, not yours, and it's the difference between a company that keeps its word and a mailing list.
Two doors. One form each.
Whether you make films or fund them, the same question applies: what are you working on, and what would unblock it?